Nous reviendrons au printemps (current)
An interdisciplinary piece delving into Chekhov’s iconic The Cherry Orchard through theater, movement, music, and audience immersion.
Avant-premiere in October 2022 at the Pavillon Rive Gauche in Paris. Filming and video editing by Philippe Katan.
Friday, November 28, 2025
at 2pm (school groups) and 8pm (general admission)
Saturday, November 29, 2025
at 4pm and 8pm (general admission)
Le Cube Garges
as part of the Biennale Némo, a leading international arts and science festival dedicated to digital arts, audiovisual performances, and live performances related to new technologies.
Information on accessing Le Cube Garges is available here. A shuttle bus will be provided by Némo and Le Cube to take audience members back to Paris after the show.
Reservations for professionals at sarah@kaimeraproductions.com and +33 06 42 36 82 30.
Tickets are on sale here.
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Audiences are invited to join the family in welcoming home their beloved matriarch. As the revelries turn sour, and the imminent loss of the estate looms near, the festivities are cut short and the world of the play cracks open, luring the audience in the secrets hidden in the estate's corners and into the subconscious world of Chekhov’s characters.
Nous reviendrons au printemps is an opportunity to see past the seemingly flawless beauty of the cherry blossoms, dig into the soil, and expose what is poisoning the orchard at its roots. Preserving the essence of the themes that Chekhov raised at a moment of colossal change, it transports the narrative to the 21st century European context by asking: Who can call this Cherry Orchard home?
Currently looking for bookings.
Project dossier can be found here (in french).
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Development Timeline
October 2018, Château de Belloy Saint-Leonard, Picardie: first development residency
August 2019, Paris: development residency
September 2019, Festival Les Traversées du Marais, Paris: first public presentation of excerpts of the work, with the support of the Centre des monuments nationaux (National Monuments Center).
November 2021, Paris: development residency
April and September 2022, Paris: development residencies
October 2022, Pavillon Rive Gauche, Paris: avant-premiere
7 to 17 September 2023, Théâtre de l'Épée de Bois, Cartoucherie, Paris: premiere
16-19 October 2024, Avant Seine / Théâtre de Colombe, Colombes
Hôtel de Sully, September 2019. Filming and video editing by Philippe Katan.
Château de Belloy-Saint-Léonard, November 2018. Filming and video editing by Philippe Katan.
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Credits
Created and adapted by Simón Adinia Hanukai with the ensemble
Directed by Simón Adinia Hanukai
Assistant Direction by Mélanie Dorey
Translated by Ariane Raynaud
Dramaturgy and writing support by Anita Kirpalani
Music Direction by Alexis Pivot
Costumes and sets by Tulio Morais
Project Support by Safia Benyahia
Lighting by François Luberne
Stage Management by Meghann Biteau and Sarah Gachet
The ensemble: Nicolas Giret-Famin, Pamina de Hauteclocque, Eva Carmen Jarriau, Stephanie Lanier, June McGrane, Sophie Richelieu, Mahmoud Saïd, Sylvère Santin, Guillaume Tagnati, Nicolas Verdier
The presentation at Les Traversées du Marais 2019 featured: Mathilde Ahmed, Sarah Bertholon, Marie Bétrisey, Aline Boucraut, Anne-Jacqueline Bousch, Claire Butard, Eliza Calmat, Stephanie Campion, Nicolas Coquentin, Hannah Coyle, Louise Denyer, Rébecca Dereims, Alessandra Domenici, Christelle Garcia Moya, Candice Gatticchi, Marie-Laure Girard, Louise Herrero, Tiffany Hofstetter, Beth Jervis, Odile Lavie, Delphine Lefranc, Laura Mariani, Kate McCarthy, Juliette Mézergues, Audrey Mikondo, Julia Osete, Sandra Parra, Fanny Pascaud, Mélanie Peyre, Andres Peyrot, Sandra Piquemal, Pauline Rémond, Diane Renier, Élise Rochet, Perrine Rostand, Estelle Rotier, Sylvère Santin, Ugo Savary, Marie Schnakenbourg, Alice Suquet, Catherine Toffaletti, Corinne Valancogne, Marie Valentin, Elizabeth Wautlet. Stage Management by Jeremy Coffman
A project of Kaimera in association with Mipana Company.
Developed in partnership with the Château de Belloy-Saint-Leonard in Picardie with the support of the Polycarpe Foundation, Spedidam and FONPEPS.
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